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HOW IT ALL BEGAN Federico Fellini was born onJanuin Rimini. MAIN GOALS OF THE PRESENTATION: To introduce short biography of Federico Fellini toyou To present the filmography To show the significance of Federico Fellini in thecinema 4. Stay after the film and find out more about our Italian Programmes at Birkbeck. LA DOLCE VITA OR THE STORY OF ONE OFTHE GREATEST ITALIAN DIRECTORS 3.
FEDERICO FELLINI DOLCE VITA FULL
Come and experience its full magic in the Birkbeck cinema with us!Īs taught by Dr Nicolette David on "Italian Film from Neorealism to Fellini". Amarcord, a 1973 comedy-drama film directed by him, is a semi-autobiographical tale about an adolescent boy growing up among eccentric characters in an. It was voted 6th greatest film of all time by Entertainment Weekly. La Dolce Vita caused huge controversy upon its release in Italy and changed cinematic history. La Dolce Vita, a 1960 comedy-drama film by him, follows Marcello Rubini, on his fruitless search for love and happiness. Nowhere is this more apparent than in the iconic Trevi Fountain scene, which has quite rightly been called the symbolic image of postwar cinema. Beautiful and seductive, La Dolce Vita was shot in a pre-digital age when celluloid film was seen as a magical material of light and shadow. In La Dolce Vita images of alienation are interwoven with images that suggest hope, such as in the final, mysterious scene when the angelic Paola smiles at Marcello on the beach. Yet in Fellini's own words, "decadence is indispensable to rebirth". In the world of La Dolce Vita religious rites are empty and whispered confessions of love end in the failure of communication. Fellini's Rome is a world of mass celebrity culture and the paparazzi - indeed, this is the film that gave us that word, named after the character Paparazzo - and Marcello's life epitomizes this: he is a man without a centre. Rather than use conventional cinematic narrative, Fellini wanted to construct numerous sequences, each dominated by key images.
FEDERICO FELLINI DOLCE VITA SERIES
The jaded gossip columnist Marcello, played by Marcello Mastroianni, embarks on a series of night-time and dawn encounters, which include a meeting with a promiscuous society beauty (Anouk Aimée) and the mesmerising Anita Ekberg. Anita Ekberg and Marcello Mastroianni’s night bath in the Trevi Fountain is considered to be one of the most magical film moments to this day.Federico Fellini's La Dolce Vita (1960) is a critique of decadence in 1960s Rome, yet it is simultaneously suffused with a wistful longing for the "sweet life" it portrays. Fellini created a milestone in film history with his grandiose staging of ecstasy and disillusionment. Due to the side blows to Italian politics and the Catholic Church, La dolce vita not only advanced to a box office hit, but also to a scandalous one. La dolce vita is a revealing moral image of the decadent Italian upper class of the 1950s, which is tumbling on the edge on the moral abyss. It is not until a close friend commits suicide he come to the realization that his life is only a world of appearances and transience. He moves restlessly from one lavish party to the next in the world of glitz and glamor – unable to escape the hedonistic drive. As a supposedly critical observer of Rome’s high society, however, he failed to recognize that he has already become part of this decadent society himself.
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The tabloid reporter Marcello is a womanizer and bon vivant as he stands in the book.